|Skirt Cut Out, Ready to Sew|
abandoned set this project aside back in July of 2015, I had purchased the fabric, lining and notions, and prewashed the fashion fabric and lining (both cotton voiles). I had sewn up a muslin, which was good because I discovered that the size corresponding to my measurements on the back of the pattern envelope would be WAY too big (the muslin fell off and hit the floor; that's how big it was), and even more importantly, I realized that the fitted yoke at the top of this A-line skirt wasn't shaped at all like me through the tummy area. I redrafted those pattern pieces until I got a fit I was happy with (basically size 14 at the top of the yoke transitioning to size 12 at the bottom edge of the yoke, but if you just grade from one size to the other you get a weird inverted V shape at the sides instead of a straight seam around your middle that you can attach the skirt to) and made sure that my new yoke pieces would fit at the seams that attach it to the skirt front and back. And then life, and other projects, intervened...
So here we are, ready to cut out the skirt. First consideration: I wasn't thinking about this when I picked out my fabric, but this bold, large scale floral print fabric is kind of like a plaid or stripe in that the pattern needs to be perfectly centered on the front and back of the skirt, and perfectly STRAIGHT on the front and back of the skirt, or I am not going to wear this skirt when it is finished. And the voile is shifty stuff, folks -- the same qualities that make it soft and flowy for a skirt make it scoot all over on the cutting table, especially prone to stretching askew on the bias. So I made full pattern pieces for the skirt front and back as well as for the yoke front and back, and cut out the skirt the way I would cut out drapery swags from a print fabric. I centered a row of flowers on the center fold line of the pattern, and carefully shifted the fabric behind the pattern until the same pattern motifs were positioned in the same positions at the edges of the pattern all the way along the hem line and the right and left side seams.
|Skirt Front Cut Out with Pattern Centered|
After I cut out the front from a single fabric layer, I used this cut-out fabric piece as my pattern to cut out the skirt back by laying that piece onto my fabric and adjusting the position of until the pattern was perfectly aligned and the top piece "disappeared." This took a lot longer than just using the cutting layout in the pattern instructions, but it was the only way I could get my pattern centered and straight with this squirmy, wiggly voile. So the pattern placement is identical on the front and back of the skirt.
Next dilemma: This pattern specifically suggests lightweight fabrics, sheers, and voiles like mine in the fabric suggestions. However, the instructions tell you to put in a standard centered zipper through both layers with an ugly rectangle of stitching around the zipper opening that would look terrible from the right side of the finished garment. Why, oh why, would anyone want to do that?!
|Yucky Centered Zipper in Pattern Instructions|
|Inside View, with Exposed Zipper Tape|
So I looked through the RTW (ready-to-wear) skirts in my closet for something similar to what I'm trying to make. Every single one of them has an invisible zipper at the side seam, and every one of them except one has got the invisible zipper sewn so that the zipper tape is completely enclosed between the fashion fabric and the lining for a clean, professional finish on the inside of the garment.
|Invisible Side Seam Zipper in RTW Skirt, Enclosed Between Lining and Fashion Fabric|
I'm a little nervous about the zipper for several reasons. I've got my Threads magazine article from back issue #179 (June/July 2015) with tips for zipper insertion in tricky sheer fabrics like mine (I'll be stabilizing the seam allowances in the zipper area with strips of fusible interfacing and sewing with a layer of Sulky Solvy water-soluble stabilizer between the voile and the feed dogs of my machine to prevent puckering). And I've got the fantastic Bernina invisible zipper foot that I've used successfully to sew invisible zippers in home dec pillows. I'm just not sure whether changing the zipper application will affect anything at that top edge of the skirt, and I'm not 100% clear on how I am going to sew the lining to the zipper tape after I've sewn the zipper to the fashion fabric of the skirt, in order to get that clean finish of my RTW skirts. But I think I just need to get started, because some of the instructions and illustrations in the pattern don't make sense to me. With my caroling outfit, I found that some of those instructions make more sense when you have a partially sewn garment in front of you that you can match up to the illustration.
|On My Worktable|
My kids go back to school a week from today, but historically my design business picks up steam in the Fall, so Back to School doesn't necessarily mean more free time for my sewing projects. But it's all about finding that balance, right? At least, that's what I keep telling myself. Have a great week, everyone!